![]() More than 80 “high-fidelity” analog film renderingsĭxO FilmPack renderings are created in DxO’s laboratories using an exclusive scientific process of exhaustively profiling each film. And as it is based on all of DxO’s RAW processing know-how, DxO FilmPack automatically corrects - without any intervention on your part - all of your equipment’s possible optical flaws: distortion, vignetting, and chromatic aberrations, all while efficiently reducing the undesirable digital noise in your images.Īnd of course, processing TIFF and JPEG images is always possible! Since the colors in your images haven’t been altered in any way, DxO FilmPack’s exclusive automatic Color protection feature is even more effective. Support for RAW format: perfectly faithful color renderingsNow supporting RAW format, DxO FilmPack uses the calibrated data from your camera to apply analog renderings with perfectly faithful colors. With DxO FilmPack, photographers can apply to their digital photos all the characteristic color, contrast, and grain of analog films that made photographic history, along with many original looks, filters, tonings, and visual effects - all of which can be infinitely combined and customized.ĭxO image quality for creative photography *Indicates new films added to Filmpack 3.DxO FilmPack, a major new version of DxO Labs’ popular analog film simulation and creative effects software, adds 65 even more aesthetically-pleasing renderings and stunning new effects to help photographers give their photos greater emotional impact as well as a unique style, whether in color or in black & white. There are just 2 Cross Processed film effects which are: KodakHIE filtered (High Speed Infrared).There are 25 Black & White film effects which are: There are 11 Colour Negative film effects which are: ![]() There are 25 Colour Print film effects which are: If you want to add an effect to your picture to simulate film, there's a list of options at the bottom of the screen, each of which has a thumbnail to demonstrate what it can do. A new navigator has been added for moving around the main picture easier when you've zoomed in. Alongside the zoom options, there's a quick 1:1 scale button which pushes it out to 100% while the four arrows brings it back to a fit to screen size. There's a sliding scale to zoom in or you can choose from the preset magnifying options from 25% to 200%. The options are just the finished product showing a single image with the before & after processing shown split down the middle or two separate pictures of before and after. Below the tabs you can choose how you'd like to have the preview screen. The main window is a simple affair with only 3 tabs which don't have that much going on in them and this is all part of the simple workflow that DxO have worked on. DxO have darkened he background so it's easier to see your pictures. One of the new changes to DxO Filmpack can be seen as soon as the program is started up. Whether you load from the desktop or Photoshop, the same window will open for processing your pictures but we found it's faster from the desktop. In Photoshop open a picture, go to filters, DxO Labs and choose Filmpack 3 from the list. Using it as a standalone is simple enough, just click on the desktop icon to launch, load a file and start editing. The program works as a standalone option and a new feature is that Filmpack 3 works as a plug-in with DxO Optics Pro, Apple Aperture, Adobe Photoshop and Lightroom. You'll need your licence key at this stage or you can try it out on a trial basis for 31 days and either the Essential or Expert version can be chosen. Once downloading has finished, it has to be installed which takes around the same amount of time. We were downloading multiple programs at the same time as the DxO Filmpack 3 but it's relatively small so still only took a few minutes. Priced at £99, if you love the look of film but don't want the expense or rigmarole that comes with it, our DxO Filmpack 3 review will decide whether it's worth the outlay. In this review, we're testing version 3 which offers an expanded number of film looks, an upgraded user interface, better integration with the workflow and new colour and black & white conversion controls. Essentially we want the best of both worlds and that's what DxO aims to provide with their Filmpack 3 software. ![]() While allowing film to drop out of the limelight almost entirely, we still want our clinically clean digital images to retain the warmth and richness of film. ![]()
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